Physical Address
304 North Cardinal St.
Dorchester Center, MA 02124
Physical Address
304 North Cardinal St.
Dorchester Center, MA 02124

The highly anticipated “Onyx Storm” by Rebecca Yarros has received a spectacular treatment from GraphicAudio, transformed into an immersive dramatized adaptation that brings the epic conclusion of Violet Sorrengail’s journey to life in unprecedented audio form. Released in May 2025, this full-cast production elevates the already beloved Empyrean series to new heights, offering fans an entirely different way to experience the dragon riders, intense battles, and romantic tensions that have made the series a global phenomenon.
GraphicAudio’s trademark “A Movie in Your Mind” format features full cast dramatizations, cinematic music and sound effects, creating an audio experience that goes far beyond traditional audiobook narration. For fans of “Onyx Storm” who have already devoured the print version, this dramatized adaptation offers a fresh perspective that enhances Rebecca Yarros’ vivid storytelling through professional voice acting, immersive soundscapes, and theatrical production values.
“Onyx Storm Dramatized” represents the culmination of GraphicAudio’s work with the Empyrean series, following their successful adaptations of “Fourth Wing” and “Iron Flame.” This two-part production continues to demonstrate why dramatized audiobooks have become increasingly popular among fantasy readers seeking more cinematic listening experiences.
All titles are produced in the unique and vivid “A Movie in Your Mind” audiobook entertainment format, featuring full cast dramatizations richly scored with cinematic music and layered with immersive sound effects and design. This approach fundamentally transforms the audiobook experience from a single narrator reading a story into a theatrical audio production with multiple voice actors, sound design, and musical scoring.
The production quality of GraphicAudio adaptations sets them apart from standard audiobooks by creating an immersive soundscape that allows listeners to feel transported directly into the world of Basgiath War College. Dragon roars, the clash of weapons, the whoosh of wind during aerial combat, and atmospheric background sounds all combine to create a vivid sensory experience.
The musical scoring adds emotional depth to key scenes, heightening tension during battles, underscoring romantic moments, and creating atmospheric mood that enhances the storytelling without overwhelming the dialogue and action. This cinematic approach to audio production creates an experience closer to listening to a movie soundtrack than a traditional audiobook.
The layered sound design means that listeners experience multiple audio elements simultaneously – dialogue in the foreground, ambient sounds creating atmosphere, music underscoring emotion, and sound effects providing realistic action details. This complexity creates a rich listening experience that rewards both focused attention and repeated listens.
The cast includes Robb Moreira, Torian Brackett, k’Lai Rivera, Gabriel Michael, Megan Poppy, LaMont Ridgell, Rayner Gabriel, Troy Allan, Laura C. Harris, Khaya Fraites, and Taylor Coan, bringing distinct voices to the diverse cast of characters populating Yarros’ fantasy world. This ensemble approach allows each character to have their own unique vocal identity.
The use of multiple voice actors means that listeners can immediately identify who is speaking without narrative tags, creating a more natural and immersive dialogue experience. Character conversations feel more like dramatic scenes from film or television rather than narrated text, enhancing the emotional impact of key interactions.
Professional voice actors bring interpretive choices to their characters that can illuminate aspects of personality, motivation, and emotion that readers might experience differently when reading silently. These performances add a layer of artistic interpretation that complements Yarros’ original vision while offering fresh perspectives on beloved characters.
The chemistry between voice actors becomes particularly important in a romance-heavy series like the Empyrean, where the romantic tension and emotional connection between characters is central to the story’s appeal. The vocal performances can enhance these relationships through tone, timing, and emotional delivery.
The dramatized adaptation of “Onyx Storm” is released in two parts, a common approach for GraphicAudio when adapting longer novels. This division allows for comprehensive adaptation of the full novel without creating an overwhelmingly long single audiobook that would be difficult for listeners to manage.
Each part maintains narrative momentum while providing natural break points where listeners can pause their experience. The division is carefully planned to maintain dramatic tension and avoid breaking in the middle of crucial scenes or storylines that would frustrate listeners.
The two-part structure also makes the production more accessible for listeners who might be intimidated by the prospect of a single very long audiobook. Each part can be completed in a reasonable listening session or over several days, making the overall experience more manageable.
For listeners who purchase both parts together, the experience flows seamlessly from one to the next, maintaining the continuity of the story while providing practical flexibility in how and when the adaptation is consumed.
Both parts of the “Onyx Storm” dramatized adaptation maintain the same cast, sound design approach, and production values, ensuring that the listening experience remains consistent throughout the entire novel. This consistency is crucial for maintaining immersion and avoiding jarring transitions between parts.
The continuity of voice actors across both parts means that character voices remain stable, preventing the disorientation that can occur when different narrators or actors take over mid-story. Listeners develop associations with specific voices and characters that enhance their engagement with the story.
The sound design and musical themes established in the first part carry through to the second, creating audio motifs that listeners come to associate with specific characters, locations, or emotional states. This thematic consistency enhances the overall artistic coherence of the production.
The standard “Onyx Storm” audiobook is narrated by Jasmin Walker, Justis Bolding, Teddy Hamilton, and Rebecca Soler, released in January 2025. This version follows the more traditional audiobook format with narrators reading the text and performing different character voices.
The standard audiobook provides a different kind of intimacy with the story, where the narrator’s interpretation guides the listener’s experience through vocal performance and pacing choices. Many listeners appreciate the skill of talented narrators who can create distinct character voices and convey complex emotions through their reading.
Standard audiobooks allow the narrator to include all narrative description, internal monologue, and contextual information exactly as written in the original text. This completeness can be important for listeners who want to experience every word Yarros wrote without adaptation or condensation.
The single narrator (or in this case, multiple narrators taking chapters or parts) approach creates a consistent narrative voice that some listeners find more cohesive and easier to follow than productions with many different voice actors.
The dramatized adaptation offers a more theatrical experience that can make action sequences, battle scenes, and romantic encounters feel more immediate and emotionally impactful through the combination of voice acting, sound effects, and music.
The sound design in dramatized adaptations can clarify spatial relationships and action sequences that might be confusing in text or standard narration. Listeners can hear exactly where characters are positioned relative to each other and what’s happening in complex battle scenes through directional audio and layered sound effects.
For listeners who find long audiobooks challenging to focus on, the dramatic nature of GraphicAudio productions – with music, sound effects, and varied voices – provides more stimulation that can help maintain attention and engagement throughout the lengthy runtime.
The theatrical production values can make re-listening to favorite scenes or the entire book more appealing, as the experience offers different pleasures than reading or standard audiobook narration. The cinematic quality creates entertainment value beyond simple story delivery.
Some fans will want to experience both versions to compare interpretations and enjoy different aspects of each format. The standard audiobook might be preferred for first-time story consumption, while the dramatized version offers a different pleasure on subsequent experiences.
Listeners who prefer complete fidelity to the original text and enjoy the intimacy of skilled narrators might lean toward the standard audiobook, while those who want a more cinematic and immersive experience will appreciate the dramatized adaptation’s production values.
Budget-conscious listeners might note that dramatized adaptations typically cost more than standard audiobooks due to the higher production costs involved in hiring full casts, composers, and sound designers. However, many fans consider the additional cost worthwhile for the enhanced experience.
The choice between formats can also depend on listening circumstances. The dramatized version’s richer sound design is best appreciated with good headphones or speakers in a quiet environment, while standard audiobooks might be more practical for multitasking or listening in noisy environments.

GraphicAudio has already produced dramatized adaptations of “Fourth Wing” and “Iron Flame,” the first two books in the Empyrean series. The “Iron Flame” adaptation continues the story of Violet Sorrengail after she survived her first year at Basgiath War College, establishing the production team’s familiarity with Yarros’ world and characters.
Listeners who have experienced the dramatized versions of the earlier books will already be familiar with how specific characters sound and how the world of Basgiath and its dragons are represented through audio. This continuity creates a cohesive experience across the entire series.
The production team’s increasing experience with the Empyrean world means that the “Onyx Storm” adaptation benefits from lessons learned and techniques refined through the previous two adaptations, potentially making it the most polished and effective dramatization in the series.
For new listeners considering the dramatized versions, the availability of all three books in this format means they can experience the entire series with consistent production values and casting, creating a unified audio journey through Violet’s complete story arc.
The fantasy world of the Empyrean series, with its dragons, war college setting, magical bonds, and aerial combat, presents unique challenges and opportunities for audio adaptation. Sound design can make these fantastical elements feel tangible and real through carefully crafted audio cues.
Dragon vocalizations, from intimidating roars to more subtle communication sounds, become particularly important in dramatized adaptations. Each dragon might have distinctive audio characteristics that help listeners distinguish between them and understand their personalities and moods.
The war college setting with its training grounds, classrooms, and various facilities provides opportunities for distinct acoustic environments that help orient listeners in space and create atmosphere. Different locations can have their own audio signatures that become familiar to listeners.
Magical elements like the bond between riders and dragons, combat magic, and other supernatural aspects of Yarros’ world can be represented through unique sound effects that make these invisible forces perceptible and impactful for listeners.
The availability of “Onyx Storm” in dramatized format expands accessibility for the Empyrean series, reaching listeners who might prefer audio experiences to reading or who have visual impairments that make audio their primary means of experiencing fiction.
The dramatized adaptations have introduced new audiences to the series who might have been hesitant to commit to reading long fantasy novels but are drawn to the more cinematic audio experience that GraphicAudio provides.
Social media discussions about the dramatized versions create additional engagement with the series, as fans compare their favorite moments in different formats and discuss the voice actors’ interpretations of beloved characters.
The production values of the dramatized adaptations lend additional prestige to the series, demonstrating its cultural impact and commercial success in being selected for such elaborate audio treatment.
Fans of dramatized audiobooks have generally praised GraphicAudio’s work with fantasy series, appreciating the production quality and immersive experience that these adaptations provide. The Empyrean series’ action-heavy, emotionally intense storytelling is well-suited to this treatment.
Some listeners note that dramatized adaptations can take some adjustment for those accustomed to standard audiobooks, particularly in following dialogue between multiple characters. However, most find that they quickly adapt to the format and appreciate the enhanced experience.
The musical scoring and sound effects receive particular praise from listeners who feel these elements enhance their emotional connection to the story and help them visualize action sequences and atmospheric moments.
Voice acting performances generate discussion among fans, with listeners forming opinions about how well specific actors capture the essence of beloved characters compared to readers’ own mental voices or previous narrators.
GraphicAudio began in October 2004 and has gradually expanded its roster of voice actors over the course of its history. The company has built extensive experience adapting fantasy and science fiction novels into their distinctive dramatized format.
Other popular fantasy series that have received the GraphicAudio treatment include works by authors like Brandon Sanderson, Patrick Rothfuss, and other major fantasy writers. This experience adapting complex fantasy worlds informs their approach to new projects like the Empyrean series.
GraphicAudio has announced plans to adapt Sarah J. Maas’ “Throne of Glass” series, though the first title has been delayed until 2026. This demonstrates the company’s continued investment in major fantasy romance series that appeal to similar audiences as the Empyrean books.
The company’s growing catalog of fantasy adaptations means that fans of the Empyrean dramatized versions can find similar audio experiences with other beloved fantasy series, creating opportunities for discovering new favorites in the same immersive format.
GraphicAudio produces everything in its own production studios, duplication and distribution facility located in Rockville, Maryland. This in-house production control allows for consistent quality standards across all their adaptations.
The company’s specialization in dramatized adaptations means they’ve developed specific expertise and techniques for this format that might not be available through general audiobook publishers who focus primarily on narrated versions.
The investment required for full-cast productions, original music composition, and elaborate sound design means that GraphicAudio is selective about which books they adapt, generally choosing commercially successful series with strong fan bases that justify the production investment.
The “Onyx Storm” dramatized adaptation is available through multiple platforms including Audible, GraphicAudio’s own website and app, Apple Books, and other audiobook retailers. This wide availability makes it accessible to listeners regardless of their preferred platform or existing subscriptions.
GraphicAudio’s own platform and app provide direct access to their complete catalog and sometimes offer exclusive deals or early access to new releases. Their membership programs can provide cost savings for listeners who regularly consume their productions.
Major audiobook platforms like Audible include GraphicAudio productions in their catalogs, allowing listeners who already have subscriptions or credits to access these adaptations through familiar interfaces without needing separate accounts.
The two-part structure means listeners should be aware they’re purchasing or accessing both parts to experience the complete novel. Some retailers bundle both parts together while others sell them separately.
The rich sound design of GraphicAudio productions is best experienced with good quality headphones or speakers that can reproduce the full range of audio frequencies and spatial effects used in the production. The investment in good audio equipment enhances the immersive quality.
The layered nature of the audio – with dialogue, sound effects, and music occurring simultaneously – means some listeners might want to adjust volume levels or use equalizer settings to ensure all elements are audible and balanced according to their preferences.
File sizes for dramatized adaptations tend to be larger than standard audiobooks due to the higher quality audio and stereo/surround sound mixing used to create spatial effects and audio richness. Listeners should ensure they have adequate storage space on their devices.
The runtime for both parts combined will be substantial, reflecting the length of the “Onyx Storm” novel. Listeners should plan accordingly for completing the full adaptation, though the two-part structure provides natural break points for extended listening sessions.
The success of dramatized adaptations of popular fantasy series like the Empyrean suggests growing audience appetite for more theatrical audio experiences beyond traditional audiobook narration. This trend may encourage more publishers and production companies to invest in similar high-production-value adaptations.
Younger audiences raised on podcasts, streaming video, and immersive media experiences may particularly appreciate the cinematic qualities of dramatized audiobooks, making this format increasingly important for reaching new generations of fantasy readers and listeners.
The premium pricing that dramatized adaptations can command demonstrates that significant audiences are willing to pay more for enhanced production values, justifying the substantial investment required for these elaborate productions.
As audio technology continues improving – including spatial audio, binaural recording techniques, and advanced sound design – the potential for even more immersive dramatized audiobook experiences continues to grow.
Dramatized audiobooks occupy an interesting space between traditional audiobooks, radio drama, and cinema, creating a unique entertainment medium that offers different pleasures than any of these individually. This hybrid format may appeal to audiences who might not engage with books in other formats.
The theatrical nature of these adaptations may influence how some listeners imagine scenes and characters even when reading the print versions, creating interesting interactions between different media formats and interpretive experiences.
For book series with dedicated fan bases, the availability of multiple formats – print, ebook, standard audiobook, and dramatized adaptation – allows fans to engage with beloved stories in various ways, deepening their connection to the fictional worlds and characters.
The artistic interpretation inherent in dramatized adaptations adds another layer to how stories are understood and discussed within fan communities, generating conversation about voice acting choices, sound design decisions, and musical themes.
The “Onyx Storm Dramatized” adaptation by GraphicAudio represents a significant achievement in audio entertainment, bringing Rebecca Yarros’ epic conclusion to Violet Sorrengail’s story to life through theatrical production values that transform the listening experience into something approaching cinema for the ears. The combination of full-cast voice acting, cinematic music scoring, and immersive sound design creates an audio experience that honors the original novel while offering fresh perspectives through interpretive performance.
For fans of the Empyrean series who have already experienced “Onyx Storm” in print or standard audiobook format, the dramatized version offers an entirely new way to revisit favorite scenes and beloved characters. The theatrical production values can illuminate different aspects of the story, making familiar moments feel fresh and exciting through skilled voice acting and evocative sound design.
New audiences discovering the series through the dramatized adaptations will experience Violet’s journey through Basgiath War College in an immediately immersive format that showcases why the Empyrean series has captured global imagination. The audio production’s ability to bring dragon battles, romantic tension, and magical warfare to vivid life makes it an ideal introduction to Yarros’ richly imagined world.
Whether experienced as a complement to other formats or as a standalone audio journey, “Onyx Storm Dramatized” demonstrates the artistic and entertainment potential of high-quality audio production in bringing fantasy literature to life. As the audiobook industry continues evolving and audiences increasingly appreciate premium audio experiences, productions like this set new standards for what dramatized fiction can achieve.